The New Birzh Kehilalink

The Birzh ShtetLink has been upgraded to a KehilaLink

Birzh front.12.15 pm

Visit: http://kehilalinks.jewishgen.org/birzai

Read:

  • the tribute to Joseph Rosin z”l by Joel Alpert
  • the report by Abel and Glenda Levitt on their recent visit
  • my photos from last month’s visit

I have four talks coming up:

Perth, Australia

Exploring our Roots

Beth Protea, Herzlia, Israel

Beit-Protea-Talk-Web

IAJGS International Jewish Genealogical Conference, Jerusalem, Israel

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Gitlin Library, Cape Town, South Africa

A TRAGIC ROMANCE AND ITS CONSEQUENCES  Eli copy

Limmud Oz Sydney has finished.

A most successful Festival of Jewish Ideas with 200 presenters over 2 ½ days.

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Limmud 15 1 Limmud 15 2

My bond with Atzalyno Gimnazija, a school in Kedainiai

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The students take me on a multicultural tour of Kedainai, the last stop being the two former synagogue complex, one of only a handful in Lithuania. The centre is run by Rimantas Zirgulis, director of the Museum and includes a permanent Jewish display, one of the first towns in Lithuania to do so.

The video report on a Lithuanian TV channel with a synopsis in English by two of the students: Juste & Julija

Kedainiu Zinios 7:21 – 9:55 – meeting at our school
The English teacher Laima Ardavičienė surprises her students every single lesson. She is diversifying her lessons with various tasks and even guests.
Laima says, „ Last year I was working on a project and the main idea was to introduce different cultures to students. I found a video of Jewish weddings which reflected Jewish traditions. After watching this video, I asked the author if I was able to use it and I got shocked when he replied „ Laima, you can use it. By the way, you can be really surprised, but I‘m rooted in Kėdainiai“. The author of the video was our guest Eli Rabinowitz. It‘s the second time Eli Rabinowitz is visiting our school. Last year he was a participant in our project too, while students were learning about different communities in Kėdainiai. Meetings like this never end. We keep in touch via skype and have skype meetings with students.

An article in the Lithuanian press:

Anglų kalbos pamokos kitaip
Iš arčiau 2015/05/29 by Vilija Mockuvienė
Vieni „Atžalyno“ gimnazijos mokiniai mokytojos Laimos Ardavičienės anglų kalbos pamokų laukia su baime, kiti – su džiaugsmu. Gimnazistai žino, kad šios patyrusios pedagogės pamokose nebus nei nuobodulio, nei tuščio laiko leidimo.
Paįvairindama pamokas „Atžalyno“ gimnazijos mokytoja Laima Ardavičienė į Kėdainius pakvietė Australijoje gyvenantį žydą E. Rabinovičių, kuris turi sąsajų su šiuo miestu ir mielai bendrauja su jaunimu.

For further see:
http://muge.eu/anglu-kalbos-pamokos-kitaip/

My images are supplemented with some provided by Vilius, a delightfully engaging student, who would like one day, to have sports photography business, possibly in South Africa!

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Jewish Education In Vilnius

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http://judaicvilnius.com

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SOLOMO ALEICHEMO ORT SCHOOL in Vilnius
http://www.jewishschool.lt

From Wikipedia
Vilnius Sholom Aleichem ORT gymnasium – full-time secondary school in Vilnius, IT Kraševskio g. 5 engaged in primary, secondary and non-formal education programs in Hebrew, Lithuanian, Russian. Named after writer Sholom Aleichem.
Vilniaus Šolomo Aleichemo ORT gimnazija – dieninė bendrojo lavinimo mokykla Vilniuje, J. I. Kraševskio g. 5, vykdanti pradinio, pagrindinio, vidurinio ir neformaliojo ugdymo programas hebrajų kalba, lietuvių, rusų kalbomis. Pavadinta rašytojo Šolomo Aleichemo vardu.

I met with the Director Misha Jakobas, who kindly showed me around the new campus and its impressive facilities. The students appeared to be very well behaved and there was a lovely atmosphere in the building, which they moved into only 3 months ago.
Parents attended the year end concerts, including my friend, Daniel Gurevich. We were quite surprised to bump into each other!

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On a related, but somewhat tangential subject:
Roman Vishniac Exhibition at Polin in Warsaw, Poland
Which includes a segment on ORT. Runs until 31 August 2015.
http://www.sztetl.org.pl/…/4632,roman-vishniac-at-polin-mu…/
JewishGen.org's photo.
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From Wikipedia
Roman Vishniac (/ˈvɪʃni.æk/; Russian: Рома́н Соломо́нович Вишня́к; August 19, 1897 – January 22, 1990) was a Russian-American photographer, best known for capturing on film the culture of Jews in Central and Eastern Europe before the Holocaust

Vishniac was a versatile photographer, an accomplished biologist, an art collector and teacher of art history. He also made significant scientific contributions to photomicroscopy and time-lapse photography. Vishniac was very interested in history, especially that of his ancestors, and strongly attached to his Jewish roots; he was a Zionist later in life.[3]

Roman Vishniac won international acclaim for his photos of shtetlach and Jewish ghettos, celebrity portraits, and microscopic biology. His book A Vanished World, published in 1983, made him famous and is one of the most detailed pictorial documentations of Jewish culture in Eastern Europe in the 1930s.[2] Vishniac was also remembered for his humanism and respect for life, sentiments that can be seen in all aspects of his work.

In August 2014, the International Center for Photography in New York City announced that 9,000 of Vishniac’s photos, many never printed or published before, would be posted in an online database.[4]

Using Online Resources To Find Hidden Holocaust Sites

This post on Kelme’s two mass graves sites illustrates the importance of the website, Holocaust Atlas of Lithuania. Using the coordinates provided together with GPS, data roaming, and online maps such as Google Maps, it is an essential tool for finding well hidden Holocaust memorials.

In addition, on the initiative of the British Jewry & Lord Janner, granite markers were placed at many of the 220 Holocaust mass murder sites in Lithuania. On the side looking towards the site, is information indicating the direction and distance to the site.

http://www.holocaustatlas.lt/EN/…

Holo Map

 

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Kelmė

From Wikipedia, the free encyclopedia
Kelmė
City
Church of Kelmė

Church of Kelmė
Flag of Kelmė
Flag
Coat of arms of Kelmė
Coat of arms

Location of Kelmė

Coordinates: 55°38′0″N 22°56′0″ECoordinates55°38′0″N 22°56′0″E
Country  Lithuania
Ethnographic region Samogitia
County Šiauliai County
Municipality Kelmė district municipality
Eldership Kelmė eldership
Capital of Kelmė district municipality
Kelmė eldership
First mentioned 1484
Granted city rights 1947
Government
 • Mayor Vaclovas Andrulis
Area
 • Total 7.85 km2 (3.03 sq mi)
Elevation 128 m (420 ft)
Population (2011)
 • Total 9,150
 • Density 1,200/km2(3,000/sq mi)
Time zone EET (UTC+2)
 • Summer (DST) EEST (UTC+3)
Website Official website

Kelmė (About this sound pronunciation ) is a city in central Lithuania. It has a population of 9,150 and is the administrative center of the Kelmė district municipality.

History

Kelmė’s name may come from the Lithuanian “Kelmynės“, literally “the stubby place” because of the forests that were there at the time of its founding.[1]

Kelmė was first mentioned in 1416, the year that Kelmė’s first church was built.[1]

Prior to World War II, Kelmė (YiddishKelm‎) was home to a famous Rabbinical College, the Kelm Talmud Torah.

According to an 1897 census, 2,710 of Kelme’s 3,914 inhabitants were members of the town’s Jewish population, the vast majority of whom were merchants and traders and lived in the town.

People

 

Kelm Talmud Torah

From Wikipedia, the free encyclopedia

The Kelm Talmud Torah was a famous yeshiva in pre-holocaust KelmėLithuania. Unlike other yeshivas, the Talmud Torah focused primarily on the study of Musar (“Jewish ethics”) and self-improvement.

Under the Leadership of Simcha Zissel Ziv

The Talmud Torah was founded in the 1860s by Rabbi Simcha Zissel Ziv, known as the Alter of Kelm (the Elder of Kelm), to strengthen the study of Musar in Lithuania.

In 1872, Rabbi Ziv purchased a plot of land and erected a building for the Talmud Torah, which began as a primary school and soon became a secondary school.

In 1876, the Talmud Torah was denounced to the authorities, who began to watch it closely and to hound it. Many traditional Jews in Kelm saw Rabbi Ziv as a “reformer,” as his school supported unconventional prayer practices and an unconventional, musar-focused curriculum.[1]

The curriculum of the original Talmud Torah under Rabbi Ziv’s leadership was fairly unique for a nineteenth-century Lithuanian yeshiva in two respects:

1. Significant time was devoted to Musar, work on the improvement of character traits. In most Lithuanian yeshivas, nearly the entire day was spent studying Talmud. By contrast, at the Talmud Torah, according to Menahem Glenn, “Musar was the chief study, while the study of Talmud was only of minor importance and little time was devoted to it.”[1]

2. In addition to Jewish subjects, students studied general subjects such as geography, mathematics, and Russian language and literature for three hours a day. The Kelm Talmud Torah was the first traditional yeshiva in the Russian empire to give such a focus to general studies.[2]

Under pressure from the Jews of Kelm, Rabbi Ziv decided to open his school elsewhere: he re-established it in Grobin, in the Courland province.

In 1881, Rabbi Ziv returned to Kelm, where the Talmud Torah became an advanced academy for the study of Torah and Musar. Most of the students who came to study at the Talmud Torah were married. Entry to the Talmud Torah was difficult and restricted to select students from other yeshivas, who had to bring letters of recommendation from their Rosh Yeshiva. Students were chosen after they passed rigorous examinations on Musar. At its peak, the Talmud Torah had a student body of between 30 and 35 members.[citation needed]

Rabbi Ziv established a group that was known as “Devek Tov,” comprising his foremost students. He shared a special relationship with the group’s members and he worked on writing out his discourses for them.

The Talmud Torah after Ziv’s death

Simcha Zissel Ziv died in 1898. Upon his death, his brother Rabbi Aryeh Leib Broida became the new director of the Talmud Torah. Aryeh Leib moved to the land of Israel in 1903, and his son Rabbi Tzvi Hirsch Broida (also Simcha Zissel Ziv’s son-in-law) became the new director of the Talmud Torah.

After Tzvi Hirsch Broida’s death in 1913, Simcha Zissel’s son Rabbi Nahum Ze’ev Ziv became the new director of the Talmud Torah.

After Nahum Ze’ev Ziv’s death in 1916, Simcha Zissel’s student Rabbi Reuven Dov Dessler became the new director. He was succeeded by Simcha Zissel’s sons-in-law, Rabbi Daniel Movshovitz and Rabbi Gershon Miadnik.

On June 23rd, 1941, Nazi forces entered Kelm. Shortly after, the faculty and students of the Talmud Torah were murdered by the Nazis and their collaborators and are buried in a mass grave in the fields of the Grozhebiski farm.

Famous students

The Mashgichim in many of the yeshivas in Poland and Lithuania were students of the Talmud Torah of Kelm. Some were:

JHI Warsaw – The Jewish Historical Institute

Day Two in Warsaw was highlighted by a visit to JHI Warsaw

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I watched a 45 minute movie on Jewish life in Warsaw during the Holocaust.

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Followed by two exhibitions:

“AFTER THE HOLOCAUST. THE CENTRAL COMMITTEE OF POLISH JEWS 1944–1950 – a unique collection of documents, photographs and films illustrating the way the CCPJ operated.

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SALVAGED: The collections of paintings, drawings and sculpture held by the JHI Museum. According to the JHI, this exhibition is an attempt to break the silence surrounding these little known yet excellent artists.

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I also caught up with Aleksandra Dybkowska of the JHI Genealogy department

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Also with Wojciech Konończuk

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and Marla Raucher Osborn at FODZ

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Jewish Historical Institute

From Wikipedia, the free encyclopedia

Jewish Historical Institute, Warsaw

An exhibition on the first floor

The Jewish Historical Institute (PolishŻydowski Instytut Historyczny or ŻIH) is a research institute in WarsawPoland, primarily dealing with the history of Jews in Poland

History

The Jewish Historical Institute was created in 1947 as a continuation of the Central Jewish Historical Commission, founded in 1944. The Jewish Historical Institute Association is the corporate body responsible for the building and the Institute’s holdings. The Institute falls under the jurisdiction of the Ministry of Culture and National Heritage. In 2009 it was named after Emanuel Ringelblum. The institute is a repository of documentary materials relating to the Jewish historical presence in Poland. It is also a centre for academic research, study and the dissemination of knowledge about the history and culture of Polish Jewry.

The most valuable part of the collection is the Warsaw Ghetto Archive, known as the Ringelblum Archive (collected by the Oyneg Shabbos). It contains about 6000 documents (about 30 000 individual pieces of paper).

Other important collections concerning World War II include testimonies (mainly of Jewish survivors of the Holocaust), memoirs and diaries, documentation of the Joint and Jewish Self-Help (welfare organizations active in Poland under the occupation), and documents from the Jewish Councils (Judenräte)

The section on the documentation of Jewish historical sites holds about 40 thousand photographs concerning Jewish life and culture in Poland.

The Institute has published a series of documents from the Ringelblum Archive, as well as numerous wartime memoirs and diaries.[1]

In 2011, Paweł Śpiewak, a Professor of Sociology at Warsaw University and former politician, was nominated as the Director of the Jewish Historical Institute by Bogdan Zdrojewski, Minister of Culture and National Heritage.[2]

See also

References

  1. Jump up ^ Stephan Stach Geschichtsschreibung und politische Vereinnahmungen: Das Jüdische Historische Institut in Warschau 1947-1968, in: Jahrbuch des Simon-Dubnow-Instituts / Simon Dubnow Institute Yearbook VII (2008), 401-431, ISBN 978-3-525-36934-0
  2. Jump up ^ Uncredited, Change at the top; Jewish Historical Institute. Retrieved 2012-07-29.

External links

 

  • Wikimedia Foundation

Polin Museum, Warsaw, Poland

Sunday 17  May 2015

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I arrived from London this morning and headed straight for the Polin Museum. I have visited the museum twice before in 2013 and 2014, but this is the first time since it officially opened in October 2014.

The selection of my images here indicates how remarkable and magnificent this museum is. I have visited many museums around the world over many years, and Polin is one of the best!

I took over 700 photos this afternoon, spent 5½ hours at the Core Exhibition and could have been there a few more hours! It is a “must visit” for anyone coming to Warsaw, Jewish or not!

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The Resource Centre

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Magdalena

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Marzena

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Closing time

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Mila 18

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Video

POLIN Museum of the History of Polish Jews

From Wikipedia, the free encyclopedia
POLIN Museum of the History of Polish Jews
Muzeum Historii Żydów Polskich
Museum of the History of Polish Jews in Warsaw 011.JPG

The museum building
Established 2005 (opened April 2013)
Location Warsaw, Poland
Coordinates 52°14′58″N 20°59′34″E
Type Historical, cultural
Collection size History and culture of Polish Jews
Visitors expected 450,000
Director Dariusz Stola
Curator Barbara Kirshenblatt-Gimblett
Website Museum official website

POLIN Museum of the History of Polish Jews (PolishMuzeum Historii Żydów Polskich) is a museum on the site of the former Warsaw Ghetto. The Hebrew word Polin in the museum’s name means, in English, either “Poland” or “rest here” and is related to a legend on the arrival of the first Jews in Poland.[1] The cornerstone was laid in 2007, and the museum was first opened on April 19, 2013.[2][3] The museum’s Core Exhibition opened in October 2014.[4] The museum features a multimedia narrative exhibition about the vibrant Jewish community that flourished in Poland for a thousand years up to the Holocaust.[5] The building, a postmodern structure in glass, copper, and concrete, was designed by Finnish architects Rainer Mahlamäki and Ilmari Lahdelma.[6]

History

President of the Republic of PolandLech Kaczynski, at the groundbreaking ceremony for the POLIN Museum, 26 June 2007

The idea for creating a major new museum in Warsaw dedicated to the history of Polish Jews was initiated in 1995 by the Association of the Jewish Historical Institute of Poland.[7] In the same year, the Warsaw City Council allocated the land for this purpose in Muranów, Warsaw’s prewar Jewish neighborhood and site of the former Warsaw Ghetto, facing the Monument to the Warsaw Ghetto Heroes. In 2005, the Association of the Jewish Historical Institute of Poland established a unique private-public partnership with the Polish Ministry of Culture and National Heritage and the City of Warsaw. The Museum’s first director was Jerzy Halbersztadt. In September 2006, a specially designed tent called Ohel (the Hebrew word for tent in English) was erected for exhibitions and events on the museum’s future location.[7]

An international architectural competition for designs for the building was launched in 2005, supported by a grant from the Ministry of Culture and National Heritage. On June 30, 2005 the jury announced the winner; a team of two Finnish architects, Rainer Mahlamäki and Ilmari Lahdelma.[8] On June 30, 2009 construction of the building was officially inaugurated. The project was to be finished in 33 months at a cost of PLN 150 million zlotyallocated by the Ministry and the City.[9] and a total cost of PLN 320 million zloty.[10][11]

The Museum opened the building and began its educational and cultural programs on April 19, 2013 on the 70th Anniversary of Warsaw Ghetto Uprising. During the 18 months that followed, more than 180,000 visitors toured the building, visited the first temporary exhibitions, and took part in cultural and educational programs and events, including films, debates, workshops, performances, concerts and lectures. The Grand Opening, with the completed Core Exhibition, was on October 28, 2014.[12] The Core Exhibition documents and celebrates the thousand-year history of the Jewish community in Poland that was decimated by the Holocaust.[4][5]

Construction

Museum faces the Memorial to the Warsaw Ghetto Uprising

The Museum faces the memorial commemorating the Warsaw Ghetto Uprising of 1943. The winner of the architectural competition was Rainer Mahlamäki, of the architectural studio ‘Lahdelma & Mahlamäki Oy in Helsinki, whose design was chosen from 100 submissions to the international architectural competition. The Polish firm Kuryłowicz & Associates was responsible for construction. The building’s minimalist exterior is clad with glass fins and copper mesh. Silk screened on the glass is the word Polin, in Latin and Hebrew letters.

The central feature of the building is its cavernous entrance hall. The main hall forms a high, undulating wall. The empty space is a symbol of cracks in the history of Polish Jews. Similar in shape to gorge, which could be a reference to the crossing of the Red Sea known from the Exodus. The museum is nearly 13,000 square meters of usable space. At the lowest level, in the basement of the building will be placed a main exhibition about history of Jews from the Middle Ages to modern times. The museum building also has a multipurpose auditorium with 480 seats, temporary exhibition rooms, education center, information center, play room for children, café, shop, and in the future kosher restaurant.

Hebrew and Latin letters of the word Polin

Since the museum presents the whole history of Jews in Poland, not only the period under German occupation, the designer wanted to avoid similarities to existing Holocaust museums (such as the Jewish Museum in Berlin and the museum at Yad Vashem) which had austere concrete structures. The architects kept the museum in the colors of sand, giving it a more approachable feeling.[13]

In 2008, the design of the museum was awarded the Chicago Athenaeum International Architecture Award.[14] In 2014, the designer Rainer Mahlamäki was awarded the Finlandia Prize for Architecture for his design of the museum.[15]

Organizational structure

The Core Exhibition’s academic team consists of Barbara Kirshenblatt-Gimblett (Program Director) of New York University, Hanna Zaremska of the Institute of History of the Polish Academy of Sciences, Adam Teller of Brown University, Igor Kąkolewski of the University of Warmia and Mazury, Marcin Wodziński of the University of WrocławSamuel Kassow of Trinity College, Barbara Engelking and Jacek Leociak of the Polish Center for Holocaust Research at the Polish Academy of Sciences, Helena Datner of the Jewish Historical Institute, and Stanisław Krajewski of Warsaw UniversityAntony Polonsky of Brandeis University is the Core Exhibition’s chief historian.[16]

Main hall

The North American Council of the Museum of the History of Polish Jews is a U.S. based non-profit organization supporting the foundation of the Museum.[17]

On June 17, 2009 the museum launched the Virtual Shtetl portal, which collects and provides access to essential information about Jewish life in Poland before and after the Holocaust in Poland. The portal now features more than 1,240 towns with maps, statistics, and image galleries based in large measure on material provided by local history enthusiasts and former residents of those places.[18]

Core Exhibition

The Core Exhibition occupies more than 4,000 m2 of space. It consists of eight galleries that document and celebrate the thousand-year history of the Jewish community in Poland – once the largest Jewish community in the world – that was almost entirely destroyed during the Holocaust. The exhibition includes a multimedia narrative with interactive installations, paintings and oral histories, among other features created by more than 120 scholars and curators. One item is a replica of the roof and ceiling of a 17th-century Gwoździec synagogue.[5][19] The galleries are:

  • Forest – This gallery tells the tale of how, fleeing from persecution in Western Europe, the Jews came to Poland. For the next 1,000 years, the country would become the largest European home for the Jewish community.
  • First Encounters (the Middle Ages) – This gallery is devoted to the first Jewish settlers in Poland. Visitors meet Ibrahim ibn Jakub, a Jewish diplomat from Cordoba, author of famous notes from a trip to Europe. One of the most interesting objects presented in the gallery is the first sentence written in Yiddish in the prayer book of 1272.

Gwoździec synagogue roof reconstruction

Reconstructed vault and bimah in the Museum of the History of Polish Jews

  • Paradisus Iudaeorum (15th and 16th centuries) – This gallery presents how the Jewish community was organized and what role Jews played in the country’s economy. One of the most important elements in this gallery is an interactive model of Kraków and Jewish Kazimierz, showing the rich culture of the local Jewish community. Visitors learn that religious tolerance in Poland made it a “Paradisus ludaeorum” (Jewish paradise). This golden age of the Jewish community in Poland ended with pogroms during the Khmelnitsky Uprising. This event is commemorated by a symbolic fire gall leading to the next gallery.
  • The Jewish Town (17th and 18th centuries) – This gallery presents the history of Polish Jews until the period of the partitions. It is shown by an example of a typical borderland town where Jews constituted a significant part of the population. The most important part of this gallery is a unique reconstruction of the roof and ceiling of Gwoździec, a wooden synagogue that was located in the Ukraine.

“On the Jewish Street” gallery with entrances to exhibition halls

  • Encounters with Modernity (19th century) – This gallery presents the time of the partitions when Jews shared the fate of Polish society divided between Austria, Prussia and Russia. The exhibition includes the role played by Jewish entrepreneurs, such as Izrael Kalmanowicz Poznański, in the industrial revolution in Polish lands. Visitors also learn about changes in traditional Jewish rituals and other areas of life, and the emergence of new social movements, religious and political. This period is also marked by the emergence of modern anti-semitism, which Polish Jews had to face.
  • On the Jewish Street – This gallery is devoted to the period of the Second Polish Republic, which is seen – despite the challenges that the young country had to face – as a second golden age in the history of Polish Jews. A graphical timeline is presented with the most important political events of the interwar period. The exhibition also highlights Jewish film, theatre and literature.
  • Holocaust – This gallery shows the tragedy of the Holocaust during the German occupation of Poland, which resulted in the deaths of approximately 90% of the 3.3 million Polish Jews. Visitors are shown the history of the Warsaw Ghetto and introduced to Emanuel Ringelblum and Oneg Shabbat. The gallery also covers the horrors experienced by the non-Jewish majority population of Poland during World War II as well as their reactions and responses to the extermination of Jews.
  • Postwar Years – The last gallery shows the period after 1945, when most of the survivors of the Holocaust emigrated, mostly because of the post-war takeover of Poland by the Soviets and the state sponsored anti-Semitic campaign in 1968 conducted by the communist authorities. An important date is the year 1989, marking the end of Soviet domination, followed by the revival of a small but dynamic Jewish community in Poland.

The exhibition was developed by an international team of scholars and museum professionals from Poland, the United States and Israel as well as the Museum’s curatorial team under the direction of Prof. Barbara Kirshenblatt-Gimblett.[19]

See also

Notes and references

  1. Jump up ^ “A 1000-Year History of Polish Jews” (PDF). POLIN Museum of the History of Polish Jews. Retrieved 2013-07-20.
  2. Jump up ^ “Kolejna budowa spóźniona. Czy jakaś powstanie na czas?”Gazeta Wyborcza. April 2012.
  3. Jump up ^ “Little Left of Warsaw Ghetto 70 Years After Uprising”Yahoo!7. April 17, 2013.
  4. Jump up to: a b “About the Museum”, POLIN Museum of the History of Polish Jews, accessed December 18, 2014
  5. Jump up to: a b c The Associated Press (June 24, 2007), Poland’s new Jewish museum to mark community’s thousand-year history.
  6. Jump up ^ Polish, Jewish leaders break ground on landmark Jewish museum The Associated Press, June 26, 2007
  7. Jump up to: a b A.J. Goldmann, “Polish Museum Set To Open Spectacular Window on Jewish Past” The Jewish Daily Forward, April 01, 2013.
  8. Jump up ^ “Konkurs na projekt” [Contest for the design of the Museum]. Stołeczny Zarząd Rozbudowy Miasta.
  9. Jump up ^ The Association for the Jewish Historical Institute of Poland took responsibility for creating the Core Exhibition and raising the funds for it at a cost of about PLN 120 million zlotyRozpoczęto budowę Muzeum Historii Żydów Polskich. Mkidn.gov.pl.
  10. Jump up ^ http://www.sejm.gov.pl/Sejm7.nsf/biuletyn.xsp?skrnr=KSP-96
  11. Jump up ^ http://www.mkidn.gov.pl/media/docs/2013/20130416_mzhp.pdf
  12. Jump up ^ Znamy datę otwarcia wystawy Muzeum Historii Żydów Polskich 22 January 2014
  13. Jump up ^ Museum of the History of Polish Jews by Lahdelma & Mahlamäki Dezeen Magazine, 3 October 2013.
  14. Jump up ^ International Architecture Awards: 2008 Winners The Chicago Athenaeum.
  15. Jump up ^ “Arkkitehtuurin ensimmäinen Finlandia-palkinto: Rainer Mahlamäen puolanjuutalaisen historian museo Varsovassa”. Helsingin Sanomat. 4 Nov 2014. Retrieved 5 Nov 2014.
  16. Jump up ^ Museum of the History of Polish Jews: About the museum at JewishMuseum.org.
  17. Jump up ^ The North American Council of the Museum of the History of Polish Jews.
  18. Jump up ^ “The Virtual Shtetl”
  19. Jump up to: a b “Core Exhibition”, POLIN Museum of the History of Polish Jews, accessed December 18, 2014

The Met – A Quick Visit

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A quick visit with our 2 ½ year grand daughter. What we saw:

Mostly Egyptian art, sculpture & arms and armour.

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Metropolitan Museum of Art

From Wikipedia, the free encyclopedia
The Metropolitan Museum of Art
Facade of imposing building with Greek columns. Large colored banners hang from the building's top. A crowd of people is in front.
Established April 13, 1870[1][2][3]
Location 1000 5th Avenue, New York City, NY 10028
Coordinates 40.779447°N 73.96311°W
Visitors 5.2 million (2008)[2]
4.9 million (2009)[4]
5.24 million (2010)

Director Thomas P. Campbell
Public transit access SubwayNYCS 4 NYCS 5 NYCS 6 NYCS 6d to 86th Street
BusM1M2M3M4M79, and M86
Website www.metmuseum.org
The Metropolitan Museum of Art
Metropolitam Museum of Art by Simon Fieldhouse.jpg
Elevation by Simon Fieldhouse
Built 1874
Architect Richard Morris Hunt; also Calvert VauxJacob Wrey Mould
Architectural style Beaux-Arts
Governing body Local
NRHP Reference # 86003556
Significant dates
Added to NRHP January 29, 1972[5]
Designated NHL June 24, 1986[6]

The Metropolitan Museum of Art (colloquially The Met), located in New York City, is the largest art museum in the United States and one of the ten largest in the world.[7] Its permanent collection contains more than two million works, divided among seventeen curatorial departments.[8] The main building, located on the eastern edge of Central Park along Manhattan’s Museum Mile, is by area one of the world’s largest art galleries. There is also a much smaller second location at The Cloisters in Upper Manhattan that features medieval art.[9]

Represented in the permanent collection are works of art from classical antiquity and Ancient Egypt, paintings and sculptures from nearly all the European masters, and an extensive collection of American and modern art. The Met also maintains extensive holdings of AfricanAsianOceanicByzantine, and Islamic art.[10] The museum is also home to encyclopedic collections of musical instruments, costumes and accessories, and antique weapons and armor from around the world.[11] Several notable interiors, ranging from first-century Rome through modern American design, are permanently installed in the Met’s galleries.[12]

The Metropolitan Museum of Art was founded in 1870. The founders included businessmen and financiers, as well as leading artists and thinkers of the day, who wanted to open a museum to bring art and art education to the American people.[3] It opened on February 20, 1872, and was originally located at 681 Fifth Avenue.[13]

As of 2012, the Met occupies about 2,000,000 square feet (190,000 m2).[14] Admission is pay what you wish with a recommendation of $25.[15]

Charlie Bernhaut – Yossele’s World

Charlie-Web

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Ohab Zedek Synagogue

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Charlie’s presentation

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Website:
http://www.charliebernhaut.com
Inside the Ohab Zedek synagogue

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Congregation Ohab Zedek

From Wikipedia, the free encyclopedia

Ohab Zedek, sometimes abbreviated as OZ, is an Orthodox Jewish synagogue in Manhattan, New York City noted for its lively, youthful congregation.[1] Founded in 1873, it moved to it current location on West 95th Street in 1926. The current clergy are: Rabbi Allen Schwartz, Senior Rabbi; and Rabbi Avrohom Moshe Farber, Cantor.

Early history

Congregation Ohab Zedek (abbreviated O.Z., and formally known as the First Hungarian Congregation Ohab Zedek), was founded in 1873 on the Lower East Side. The congregation built a synagogue building at 70 Columbia Street in 1881. In 1886 the congregation sold the Columbia Street building to Congregation Ahavath Acheim Anshe Ungarn and moved into the gothic-style synagogue building 172 Norfolk Street that is now the Angel Orensanz Center, the oldest surviving synagogue building in New York and the fourth-oldest in the United States.[2]

116th Street building

General information
Architectural style Vernacular Gothic on the interface of Moorish Revival
Construction started 1906
Completed 1907
Demolished 2009–2010
Client Congregation Ohab Zedek
Technical details
Structural system Masonry

In 1906–07 the congregation built and moved into a “monumental” building on 116th Street, in the newly fashionable neighborhood of Harlem. The “monumental” design was influenced by the Gothic character of the previous Norfolk Street home. The street-facing gable prominently featured a large four-centered arch-headed window over a large pedimented doorcase, appearing styled in loose or Vernacular Gothic on the interface of Moorish Revival architecture.

The famous singer Yossele Rosenblatt was a cantor there from 1911 to 1926, and again in 1929.[3]

In 1926 O.Z. moved to its present building at 118 West 95th Street; the 116th Street property was sold, eventually becoming the Baptist Temple Church, which occupied the location for over five decades. Conversion into a church removed the Jewish-themed terracotta ornaments.

Costly structural damage necessitated the building’s demolition, which occurred slowly throughout late 2009 and early 2010.

Current building, West 95th Street

The current synagogue building at 118 West 95th Street (constructed in 1926) is noted for its Moorish Revival architecture. Designed by architect Charles B. Myers, the interior features magnificent Mudéjar style plasterwork.

Early today 21st century

Early in the 21st century, the congregation became known for attracting large numbers of orthodox Jewish singles to its services and programs.[1] The congregation published a book in 2005 about its history, First Hungarian Congregation Ohab Zedek, written by O.Z. member Chaim Steinberger.

As of 2013, the senior rabbi was Allen Schwartz and the cantor was Rabbi Avrohom Moshe Farber.

References

  1. Jump up to: a b JENNIFER BLEYER, “Marriage on Their Minds”The New York Times, August 10, 2008.
  2. Jump up ^ “New Life Is Envisioned For Historic Synagogue”. New York Times. February 18, 1987. Retrieved October 11, 2011.
  3. Jump up ^ Irwin Oppenheim. “Yossele Rosenblatt (II), The remarkable career of Cantor Rosenblatt”. Chazzanut.com. Retrieved October 11, 2011.

External links

Coordinates40°47′32.68″N 73°58′8.38″W

Russ & Daughters

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The cafe with Jill Rabinowitz of Perth, Australia, Cliff Marks of Seattle and Michael Rabinowitz of New York

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The Deli in Houston St

Russ & Daughters

From Wikipedia, the free encyclopedia

Storefront on Houston Street

Russ & Daughters is an appetizing store[1] opened in 1914. It is located at 179 East Houston Street, on the Lower East Side of ManhattanNew York City. A family-operated store, it has been at the same location since 1914.

History

Joel Russ, a Polish immigrant who arrived in Manhattan around 1905, started the business to cater to the Jewish immigrants settling in the Lower East Side of New York.[2] He began by carrying Polish Mushrooms on his shoulders, and saved enough money to purchase a pushcart. He then expanded his operation and sold pickled herring as well as Polish Mushrooms. Then in 1914, Joel Russ opened J Russ International Appetizers, a storefront around the corner from the current location.

In 1920, Joel Russ opened his store at the current location of 179 East Houston Street. In 1933, he renamed the business “Russ and Daughters” after making his three daughters, Hattie, Anne, and Ida, partners in the store. Historically, businesses typically took on the name “and sons”, but since Russ and his wife Bella only had daughters, his business became Russ & Daughters. However, Joel Russ was not a feminist ahead of his time. For him, getting his daughters into the business was not a matter of women’s rights, but a matter of parnosa, or surviving to make a business. As he put it, he was concerned with Vi nemptmen parnosa, meaning ‘From where do we take our living.’ [3] According to Hattie, she and the other daughters had all worked in the store “since they were 8 years old” on weekends, fishing out the herring fillets from the pickle barrels. Once each one of them finished high school, they all worked full-time. Moreover, Joel Russ kept the store open seven days a week.

Calvin Trillin wrote about Russ & Daughters in the 1970s in his New Yorker food pieces.[4]

In 2008 The Jews of New York documentary premiered on PBS, featuring three generations of the Russ & Daughters family (Anne Russ Federman and Hattie Russ Gold, the two surviving Russ daughters; Mark Russ Federman, then the proprietor; Niki Russ Federman; and Josh Russ Tupper.) [5] The documentary tells, among other things, the story of Russ & Daughters from the early 1900s to the (then) present.[6][7][8]

Russ & Daughters: Reflections and Recipes from the House That Herring Built, by Mark Russ Federman (grandson of Joel Russ), with an introduction by Calvin Trillin, was published in 2013.[9]

Russ & Daughters received the 2013 Jewish Cultural Achievement Award, making it the first restaurant to receive a Jewish Cultural Achievement Award.[10]

In 2014, The Sturgeon Queens, a documentary about Russ & Daughters, premiered. It features, among others, Anne Russ Federman, 92 years old at the time, and Hattie Russ Gold, 100 years old at the time, who were the two surviving Russ daughters; the third daughter, Ida, had died.[11][12] The Sturgeon Queens was Joel Russ’ affectionate nickname for his daughters.[13]

Josh Russ Tupper and Niki Russ Federman, cousins, now run Russ & Daughters, the 4th generation of Russes to do so.[14] In 2014 they opened the restaurant Russ & Daughters Café on Orchard Street.[15]

In 2015 the New York state Senate honored Russ & Daughters with a resolution marking its 100th anniversary; the resolution had been drafted in June 2014 but was presented to the Russ & Daughters staff on January 7, 2015.[16]

Undated appearances

Josh Russ Tupper appeared on The Martha Stewart Show to make Chopped Liver, the Oy Vey Schmear sandwich, Whitefish & Baked Salmon Salad and the Super Heebster sandwich.[17]

The Leonard Lopate Show on NPR discussed Russ & Daughters.[18] WNYC featured Russ & Daughters when Amy Eddings reported on “Last Change Foods”, in a segment called “A Palatable Passover: Russ & Daughters explains matzo, gefilte fish and charoset.” [19]

Russ & Daughters was also featured on two episodes of the TV series Louie and in the theatrical movie Lola Versus.

External links

Coordinates40.722616°N 73.988296°W

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